The Thousand and One Nights, Vol. I.: Commonly Called the Arabian Nights' Entertainments

متاح للقراءة — ملك عام
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12 illustration(s) from this book
Ornamental Title.--At the foot is the Title in Arabic
Ornamental Title.--At the foot is the Title in Arabic
printer's mark
printer's mark
illustration
Illustration 3
Head-piece to Preface.--The Vase is formed of the Arabic words signifying 'In the name of God, the Compassionate, the Merciful' (always placed at the head of a Muslim work), written doubly, and contrarily
Head-piece to Preface.--The Vase is formed of the Arabic words signifying 'In the name of God, the Compassionate, the Merciful' (always placed at the head of a Muslim work), written doubly, and contrarily
Tail-piece to Preface
Tail-piece to Preface
Head-piece to Table of Contents
Head-piece to Table of Contents
Tail-piece to Table of Contents
Tail-piece to Table of Contents
Head-piece to List of Illustrations
Head-piece to List of Illustrations
Shahriyár going out to hunt, and Ornamental Border
Shahriyár going out to hunt, and Ornamental Border
The Wezeer presenting the letter to Sháh-Zemán
The Wezeer presenting the letter to Sháh-Zemán
Sháh-Zemán, after having killed his Wife
Sháh-Zemán, after having killed his Wife
Meeting of Shahriyár and Sháh-Zemán
Meeting of Shahriyár and Sháh-Zemán
"I have thought it right to omit such tales, anecdotes, &c., as are comparatively uninteresting or on any account objectionable. In other words, I insert nothing that I deem greatly inferior in interest to the tales in the old version. Certain passages which, in the original work, are of an objectionable nature, I have slightly varied; but in doing this, I have been particularly careful to render them so as to be perfectly agreeable with Arab manners and customs. It was originally my intention to omit almost the whole of the poetry, thinking that the loss of measure and rhyme, and the impossibility of preserving the examples of paronomasia and some other figures with which they abound, would render translations of them generally intolerable to the reader: but afterwards I reflected that the character of the work would be thus greatly altered; and its value, as illustrating Arab manners and feelings, much diminished. I therefore determined to preserve a considerable number of select pieces, chosen either for their relative merits or because required by the context. The number of those comprised in the first volume of my translation is nearly half of the number contained in the corresponding portion of the original work; but in several cases I have omitted one or more verses of a piece as unsuitable, or for some other reason; and in a few instances I have given only the first verse or the first couplet. These pieces of poetry are not in general to be regarded as the compositions of the author or authors of the work: they appear to be mostly borrowed from others, and many of them are taken from the works of celebrated poets.--To avoid the tedious interruptions which occur in the original at the close of each Night, I have divided the translation into chapters, each of which consists of one tale, or of two or more tales connected one with another, and have merely mentioned the Night with which each chapter commences, and that with which it terminates.
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