The Thousand and One Nights, Vol. I.: Commonly Called the Arabian Nights' Entertainments

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12 illustration(s) from this book
Ornamental Title.--At the foot is the Title in Arabic
Ornamental Title.--At the foot is the Title in Arabic
printer's mark
printer's mark
illustration
Illustration 3
Head-piece to Preface.--The Vase is formed of the Arabic words signifying 'In the name of God, the Compassionate, the Merciful' (always placed at the head of a Muslim work), written doubly, and contrarily
Head-piece to Preface.--The Vase is formed of the Arabic words signifying 'In the name of God, the Compassionate, the Merciful' (always placed at the head of a Muslim work), written doubly, and contrarily
Tail-piece to Preface
Tail-piece to Preface
Head-piece to Table of Contents
Head-piece to Table of Contents
Tail-piece to Table of Contents
Tail-piece to Table of Contents
Head-piece to List of Illustrations
Head-piece to List of Illustrations
Shahriyár going out to hunt, and Ornamental Border
Shahriyár going out to hunt, and Ornamental Border
The Wezeer presenting the letter to Sháh-Zemán
The Wezeer presenting the letter to Sháh-Zemán
Sháh-Zemán, after having killed his Wife
Sháh-Zemán, after having killed his Wife
Meeting of Shahriyár and Sháh-Zemán
Meeting of Shahriyár and Sháh-Zemán
"The original work being designed solely for the entertainment of Arabs, I add copious notes to the translation, to render it more intelligible and agreeable to the English reader. These are entirely my own, except in those cases when I have stated otherwise;[4] and my general object in them has been to give such illustrations as may satisfy the general reader, without obliging him to consult other works. In many of them I endeavour to shew, by extracts from esteemed Arabic histories and scientific and other writings, chiefly drawn from MSS. in my possession, as well as by assertions and anecdotes that I have heard, and conduct that I have witnessed, during my intercourse with Arabs, that the most extravagant relations in this work are not in general regarded, even by the educated classes of that people, as of an incredible nature. This is a point which I deem of much importance to set the work in its proper light before my countrymen. I have resided in a land where genii are still firmly believed to obey the summons of the magician or the owner of a talisman, and to act in occurrences of every day; and I have listened to stories of their deeds related as facts by persons of the highest respectability, and by some who would not condescend to read the tales of 'The Thousand and One Nights,' merely because they are fictions, and not written in the usual polished style of literary compositions."
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