The Thousand and One Nights, Vol. I.: Commonly Called the Arabian Nights' Entertainments

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12 illustration(s) from this book
Ornamental Title.--At the foot is the Title in Arabic
Ornamental Title.--At the foot is the Title in Arabic
printer's mark
printer's mark
illustration
Illustration 3
Head-piece to Preface.--The Vase is formed of the Arabic words signifying 'In the name of God, the Compassionate, the Merciful' (always placed at the head of a Muslim work), written doubly, and contrarily
Head-piece to Preface.--The Vase is formed of the Arabic words signifying 'In the name of God, the Compassionate, the Merciful' (always placed at the head of a Muslim work), written doubly, and contrarily
Tail-piece to Preface
Tail-piece to Preface
Head-piece to Table of Contents
Head-piece to Table of Contents
Tail-piece to Table of Contents
Tail-piece to Table of Contents
Head-piece to List of Illustrations
Head-piece to List of Illustrations
Shahriyár going out to hunt, and Ornamental Border
Shahriyár going out to hunt, and Ornamental Border
The Wezeer presenting the letter to Sháh-Zemán
The Wezeer presenting the letter to Sháh-Zemán
Sháh-Zemán, after having killed his Wife
Sháh-Zemán, after having killed his Wife
Meeting of Shahriyár and Sháh-Zemán
Meeting of Shahriyár and Sháh-Zemán
NOTE 11.--_On the Letters of Muslims._ The letters of Muslims are distinguished by several peculiarities dictated by the rules of politeness. The paper is thick, white, and highly polished: sometimes it is ornamented with flowers of gold; and the edges are always cut straight with scissors. The upper half is generally left blank: and the writing never occupies any portion of the second side. A notion of the usual style of letters will be conveyed by several examples in this work. The name of the person to whom the letter is addressed, when the writer is an inferior or an equal, and even in some other cases, commonly occurs in the first sentence, preceded by several titles of honour; and is often written a little above the line to which it apertains; the space beneath it in that line being left blank: sometimes it is written in letters of gold, or red ink. A king, writing to a subject, or a great man to a dependent, usually places his name and seal at the head of his letter. The seal is the impression of a signet (generally a ring, worn on the little finger of the right hand), upon which is engraved the name of the person, commonly accompanied by the words "His [_i.e._ God's] servant," or some other words expressive of trust in God, &c. Its impression is considered more valid than the sign-manual, and is indispensable to give authenticity to the letter. It is made by dabbing some ink upon the surface of the signet, and pressing this upon the paper: the place which is to be stamped being first moistened, by touching the tongue with a finger of the right hand, and then gently rubbing the part with that finger. A person writing to a superior, or to an equal, or even an inferior to whom he wishes to shew respect, signs his name at the bottom of his letter, next the left side or corner, and places the seal immediately to the right of this: but if he particularly desire to testify his humility, he places it beneath his name, or even partly over the lower edge of the paper, which consequently does not receive the whole of the impression. The letter is generally folded twice, in the direction of the writing, and enclosed in a cover of paper, upon which is written the address, in some such form as this:--"It shall arrive, if it be the will of God, whose name be exalted, at such a place, and be delivered into the hand of our honoured friend, &c., such a one, whom God preserve." Sometimes it is placed in a small bag, or purse, of silk embroidered with gold.
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